Strategi Personal Branding Musisi Pop Jawa Melalui Media Sosial
Abstract
Advances in information technology and social media are now increasing. This makes it easier for anyone to form a personal brand through social media. Having an attractive identity is a must for a musician, whether it's self-identity or work identity. The purpose of this study is to find out and understand the personal branding strategy of musicians through social media. This study uses qualitative methods with data collection techniques, namely interviews and observing the documentation they have and conducting a literature review. The data obtained were then analyzed using analytical techniques, namely sorting out data, reducing data, summarizing, and presenting data. The findings of this study are that the personal branding strategy of musicians through social media, especially Instagram, uses indicators consisting of 7 classifications borrowed from Mateusz Grzesiak's concept. The results of the study stated that the personal branding strategy carried out by several samples of musicians had values, characters, goals, methods, dialectics, visualizations, media, awareness levels, challenges, cultural models, and strategies each through Instagram media and in their daily lives.
Downloads
References
Grzesiak, M. (2018). PERSONAL BRAND CREATION IN THE. Springer International Publishing.
Helm, S., Liehr-Gobbers, K., & Storck, C. (2011). Reputation management. Springer Science & Business Media.
Kartajaya, H. (2009). New Wave Marketing. Gramedia Pustaka Utama.
Kriyantono, R. (2012). PR & Crisis Management: Critical PR, Etnografi Kritis & Kualitatif. Prenada.
Mayfield, A. (2008). What is Social Media (AN e-book). ICrossing.
McNally, David & Speak, K. D. (2004). Be Your Own Brand. Raja Grafindo.
Nally, M. & S. (2011). Be your own brand: achieve more of what you want by being more of who you are. BerretKoehler Publisher, Moleong.
Polasik, M., Piotrowska, A., & Kunkowski, J. (2012). Wykorzystanie serwisów społecznos´ciowych w polskim handlu elektronicznym, Zeszyty Naukowe. Studia Informatica, 29, 249–262.
Rampersad, H. . (2008). Authentic Personal Branding. PPM Publishing.
Rohidi, T. R. (2011). Metodologi penelitian seni. Semarang: Cipta Prima Nusantara, 75, 116–121.
Roszkowski, J. (2013). Monitoring mediów społecznos´ciowych. In J. Królewski & P. Sala (Eds.). E-Marketing, 336–373.
Septiyan, D. D. (2021). Apresiasi Lintas Genre Musik Indonesia melalui Synchronize Festival. Musikolastika: Jurnal Pertunjukan Dan Pendidikan Musik, 3(1), 1–8. https://doi.org/https://doi.org/10.24036/musikolastika.v3i1.57
Smith, C. (2014). Here’s why Instagram’s demographics are so attractive to brands. http://www.businessinsider.com/instagram-demogra%0Aphics-2013-12
Sumaryanto, T. (2007). Pendekatan Kuantitatif dan Kualitatif dalam Penelitian Pendidikan Seni. Unnes Press.
Copyright (c) 2021 Dadang Dwi Septiyan
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms: Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.